Saturday, June 1, 2019

READING DIARY, FRIDAY MAY 31, 2019

This week, yer old pal Jerky did a lot more watching than reading, and the reading he did get around to was mostly of the comic book variety. But all that TV watching wasn’t just an exercise in wasting time in front of the boob tube. I managed to revisit some truly inspirational, quality British programming, like the entire run of the surreal Christopher Morris series JAM, consisting of six nightmare-inducing half-hour episodes, featuring some of the darkest, most disturbing “comedy” ever produced for any medium.

But don’t take my word, or the word of Dangerous Minds for it. The show is currently available in its entirety on Youtube. Here’s an embedded link to the first episode. Watch it, and if you like what you see, the other five episodes are easy to find. But be warned! You will probably find yourself becoming upset at some point, regardless of how jaded you might think yourself to be... and you might not even be able to figure out why, exactly. That's part of JAM's bizarre, one-of-a-kind genius.


Other shows I watched this week include seasons 3 through 5 of Parks and Recreation, and 3 seasons of another, relatively recent cult British comedy show, Toast of London. This series, about misanthropic London stage and screen actor Stephen Toast, became something of a cause celebre after being added to North American Netflix, where it quickly established a dedicated fandom despite its low budget and relatively humble ambitions (which seem to boil down to “be funny”).


Starring the multi-talented Matt Berry and a strong ensemble cast, most of whom play multiple roles throughout the series, Toast of London is the kind of show that somehow manages to reward repeat viewing… or, at least, that’s been my experience. If you haven’t already given Toast of London a look-see, why not watch a couple episodes and see what you make of it? 

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SMASHED
A STORY COLLECTION
, by Junji Ito

As far as reading goes for this week, despite getting a bunch of work done behind the scenes at Unravelling Genesis, I managed to get through all thirteen stories in Japanese horror manga superstar Junji Ito's most recent collection, Smashed.

Weighing in at over 400 pages of intricately rendered black and white graphic storytelling, this handsome hardcover is a real door stopper, and a great addition to any horror fan's collection. It also happens to be the best of the three Ito short story collections so far translated into English, in terms of story quality.

Ito’s unique take on the supernatural, wherein he devises hauntings and monstrosities that exhibit their own internally consistent form of nightmare logic, is something that needs to be experienced for oneself, as third party descriptions will invariably entail spoiling the fun of discovery. Suffice it to say that, if you’re at all curious about Ito’s short form horror, then Smashed is the collection to start with, as at least half the stories are top notch, and even the minor tales often have something—a unique idea, or a startling image—that makes reading it worthwhile.

“Bloodsucking Darkness” ~ A tale of teen angst, unrequited love, eating disorders, and a novel approach to their treatment that involves vampire bats and surreptitious nocturnal feedings. Great imagery!

Ghosts of Prime Time” ~ One of the collection’s lesser stories, involving two female comedians who gain a following thanks to their control over an army of ghosts that tickle their victims, occasionally to death (which can’t be good for business, come to think of it). Their foil? A brooding young man with no sense of humor, of course.

“Roar” ~ A unique twist on the repeating, ghostly event, in this case a deadly flash flood that haunts a forest valley. The story is interesting, but really, this is mostly an excuse for Ito to indulge his inner nature artist.

“Earthbound” ~ People are suddenly finding themselves paralyzed in awkward poses at the sight of the most traumatic moments from their life. To say anything else about how this story develops would be a disservice to both the author and the reader. An amazing story that would make a great addition to any high school English class textbook.

“Death Row Doorbell” ~ Straight-up creepy story of a death row inmate who is somehow managing to half-haunt the survivors of a deadly gang assault that he lead, which destroyed the lives of a family of five. But if things are this bad now… how bad will it get once the killer is 100% dead?!

“The Mystery of the Haunted House” ~ The first in a three-part suite of interconnected tales about Soichi, a strange man who operates a traveling haunted house attraction that harbors more dark family secrets than you can shake a femur bone at.

“The Mystery of the Haunted house: Soichi’s Version” ~ Part two in Soichi’s saga, wherein his origins are more deeply explored.

“Soichi’s Beloved Pet” ~ A barely-connected third part to the Soichi saga, this time examining a single event that helped make Soichi the monster he would ultimately become.


“In Mirror Valley” ~ Researchers explore twin abandoned towns on either side of a remote forest valley, where the residents pointed mirrors of all shapes and sizes at each other… but why?

“I Don’t Want to Be a Ghost” ~ And you won’t want to be one either, after you read this gruesome tale of afterlife cannibalism! Yes, I know… it sounds insane. Just read it and it will all make sense.

“Library Vision” ~ Edgar Allen Poe meets the first series of Jojo’s Bizarre Adventure? Maybe. But probably not. Still, it’s an intriguing Modern Gothic.

“Splendid Shadow Song” ~ The collection’s least interesting entry. Which is too bad, because the idea of being haunted by a song that you can’t get out of your head offers interesting possibilities, and Ito would seem like just the artist to spin gold from such a concept.

“Smashed” ~ They really saved the best for last in this case (and named the entire anthology after it!). A truly shocking, tactile and visceral reading experience about which the less you know going in, the better. I will say, however, that this weird tale about a mysterious, delicious nectar made from the sap of a rare South American tree is the most Lovecraftian of the stories herein collected. I hope someone with balls takes a crack at filming this story, because that, my friends, would be something to see!
PS ~ Fair warning! As with most manga translated from Japanese into English, Junji Ito's Smashed is presented in its original right-to-left format, so as not to compromise the artist's original vision. That means the front cover is on what you or I might consider to be the back cover, and you have to read it back-to-front, and the word balloons run right-to-left instead of left-to-right, like in most comic books.

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