Of course, being a lifelong English Major, in the Garrison Keillor sense, I won’t be limiting my reading to short horror fiction. However, I’ve been reading a LOT of that stuff lately, so it’s probably going to be taking up a lot of room at the start. What I hope to do with this reading diary is to make note of the things I liked/didn’t like/loved/despised about the stories and novels that I read. I will also make note of any intriguing techniques or tricks that I might come across.
Well, that’s probably enough introductory babble for now. Know that I’ll be taking notes on stories in the various anthologies I’ll be reading in a piecemeal manner, reviewing a number of stories at a time. On the other hand, with the novels that I read, I will try to keep my notes on those together, even if I read said novel over an extended period of time during which I read multiple other short stories, comics, novellas, etc.
Let’s get started with the most recent edition of what is reputed to be the finest ongoing collection of Lovecraftian and/or Cthulhu Mythos fiction, editor S.T. Joshi’s Black Wings series.
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Twenty-One New Tales of Lovecraftian Horror, Edited by S.T. Joshi
“Pothunters” by Anne K. Schwader ~ Interesting story about field anthropologist Cassie Barrett, who specializes in native cultures of the American Southwest, getting a mysterious package from her assistant Frank Yellowtail’s nephew, Joshua, informing her about a dig site being looted of its unprecedented cache of uniquely constructed and decorated pottery found hidden in sealed-off cavates in the high desert. But looting by meth-addicted “pothunters” is the least of what’s going on at the site, and Schwader does a good job of establishing Cassie as someone who’s dealt with otherworldly forces before, peppering the text with references to terrifying past events at “Zia House”, or the need to bring along her absent mentor’s mysterious “box”. It’s almost as if this is a chapter from a larger novel, or Cassie Barrett is a character who features in multiple linked short stories. Either way, she makes for a unique entry in the pantheon of “Lovecraftian heroes”, and this ends up being an effective horror in the investigative/adventure genre, featuring classic Lovecraftian creatures, the identity of which any seasoned Lovecraft fan will be able to identify relatively early on. Not that this lessens the pleasure of this tale. Particularly recommended for young and female readers.
“The Girl in the Attic” by Darrell Schweitzer ~ A dark, disturbing bit of prose describing in lyrical but horrific ways what appear to be bits and pieces from a lifetime’s worth of memory going through the mind of a young woman (or perhaps the ghost of a young woman?) chained in the attic of a lonely, abandoned house in the woodlands of rural Pennsylvania… a woman who is simultaneously an organized cult’s sacrificial offering, and something like the larval form of a horrifying deity yet to be born. As her memories move from the mundane and familial towards the cruel and unavoidably horrific, the reader is subjected to some tough imagery. “The Girl in the Attic” is chilling and effective, but the ultimate effect is beautifully elusive in its treatment of the story’s central mystery.
“The Once and Future Waite” by Jonathan Thomas ~ Set in the 1980’s, in that most famous of Lovecraftian settings—Arkham Asylum—this story starts off as an investigation into a cell that seems to be haunted. Patients are complaining of flying insects trying to drill their way into their heads, and also of visions of a spooky, bearded man floating above them. Doctor Meg Kilduff, already miffed at being passed over for the job of director after her previous boss’ departure, begrudgingly investigates the room’s past, as per the new director’s orders. It’s at this point that Lovecraftian Easter Eggs (the first of which is in the story’s title) start flying at the reader fast and furious. With themes as varied as Reaganomics, postfeminism, sexual assault and the politics of mental health, this story ends up being an intriguing “serial possession” ghost story, with a final twist that will surprise, a final image that will disgust, and a final line that should put a smile on the reader’s face.
“Oude Goden” by Lynne Jamneck ~ An interesting short piece about a young, self-described “witch” in the Pacific Northwest, set in the 1920’s or so. The title is Dutch for “Ancient Gods”, with the ancient god in this case being Ghanatothoa (first offspring of Cthulhu according to some readings, Lin Carter’s in particular). Seems as though the protagonist’s lover, Jupiter, as well as other “outsiders” (homosexuals for the most part) from a small Seattle suburb are all disappearing. So, she sets out to solve the mystery. For such a short story, “Oude Goden” has an interesting cast of characters, including a sub-continental merchant with a deep understanding of the occult and a sideline in bootleg First Nations alcohol and super-potent hallucinogenic entheogens, a floppy-eared nocturnal rabbit who happens to harbor the soul of a hundred-years-dead Dutchman, the KKK, a phantom college of witches, and an arrogant, doomed young travelling warlock whose ultimate purpose in this story remains mysterious. Jamneck has also gifted us with a new book to add to the Mythos library: “Dhol Chants”, which contains incantations so potent that the reader needs to take arcane steps in order to prevent the triggering of uncontrollable effects simply by opening the book to certain pages! Decent short story.
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LITTLE BIRD #2 of 5
Story by Darcy van Poelgeest, Art by Ian Bertram
The first issue of this instant classic comic book was so utterly superlative, it inspired me to write my first fan letter to a comic book creative team since the mid-1980’s. I guess I’ve got pretty good taste in comics, because since its debut, Little Bird has experienced unprecedented word of mouth success, leading to a swift sell-out and forcing Image Comics to print a second, and then a THIRD run… all before the second issue was even released. A dark future fantasy sf dystopia with elements of Native American lore, over the top superheroics, Jodorowsky-style mytho-messianic mysticism and utterly sui generis character designs, Little Bird is so far telling a somewhat familiar tale, but oh, the way it’s being told! I simply can’t wait to see where this creative team takes this magnificent comic.
The first issue of this instant classic comic book was so utterly superlative, it inspired me to write my first fan letter to a comic book creative team since the mid-1980’s. I guess I’ve got pretty good taste in comics, because since its debut, Little Bird has experienced unprecedented word of mouth success, leading to a swift sell-out and forcing Image Comics to print a second, and then a THIRD run… all before the second issue was even released. A dark future fantasy sf dystopia with elements of Native American lore, over the top superheroics, Jodorowsky-style mytho-messianic mysticism and utterly sui generis character designs, Little Bird is so far telling a somewhat familiar tale, but oh, the way it’s being told! I simply can’t wait to see where this creative team takes this magnificent comic.
Oh this is superb. I’m looking forward to reading your future reviews. For now, you’ve inspired me to firstly get reading again (my concentration has gone the way of all things, so must be resurrected -and what better way), secondly to get back to the weird. It’s been a long time baby. And I miss comics too. Badly. These titles above sound great and I’ve bookmarked them. Thanks!
ReplyDeleteYou are too kind, Blooch! Glad you're enjoying this new series!
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